1.29.2008

Irene Williams: Queen of Lincoln Road



The story of a gay man (Eric Smith, responsible for slouch socks) who meets an old eccentric woman in South Beach, the friendship they forge and the wisdom she imparts.

Best part? She's a saucy 'ole minx that makes all of her own clothes...
Quicktime Video


Created with Admarket's flickrSLiDR.


VIA

1.28.2008

Jennifer Maestre


"My sculptures were originally inspired by the form and function of the sea urchin. The spines of the urchin, so dangerous yet beautiful, serve as an explicit warning against contact. The alluring texture of the spines draws the touch in spite of the possible consequences. The tension unveiled, we feel push and pull, desire and repulsion. The sections of pencils present aspects of sharp and smooth for two very different textural and aesthetic experiences. Paradox and surprise are integral in my choice of materials. Quantities of industrially manufactured objects are used to create flexible forms reminiscent of the organic shapes of animals and nature. Pencils are common objects, here, these anonymous objects become the structure. There is true a fragility to the sometimes brutal aspect of the sculptures, vulnerability that is belied by the fearsome texture."

"To make the pencil sculptures, I take hundreds of pencils, cut them into 1-inch sections, drill a hole in each section (to turn them into beads), sharpen them all and sew them together.
The beading technique I rely on most is peyote stitch."

"I’m inspired by animals, plants, other art, Ernst Haeckel, Odilon Redon, mythology. In fact, it isn’t easy to specify particular sources of inspiration. Sometimes one sculpture will inspire the next, or maybe I’ll make a mistake, and that will send me off in a new direction."

1.27.2008

Mark Khaisman Mixtape



"I work on the light easel, applying translucent brown packing tape on clear Plexiglas panels, the layers built up to create degrees of opacity. My main motivation is my love for classics. The images are archetypes derived from the cultural heritage: art, architecture, movies. I am trying to be faithful to the source, but in the process of interpretation all kinds of things happen. The reason is submerged in the shadows, the purpose is absorbed by the light, the cultural icon has become the personal experience."



via

Panda Bear

High harmonies, simple melodies and woven samples that feel like a kaleidoscope's perspective of Brian Wilson's brain. Although Pitchfork listed Person Pitch as the number one album of 2007, I still can't get enough of it. Damn you, Pitchfork.

Panda Bear - Bros


Panda Bear - Comfy in Nautica



Just because this is probably what you were expecting when you clicked the link; my aim is not to disappoint. Completely unrelated, but unrelentingly adorable nonetheless.



Helium; a noble gas.

I still remember how excited I was when these videos were critiqued by Beavis and Butthead...
Helium - XXX



Helium - Pat's Trick


...and the song that initiated my allegiance...

Helium - Honeycomb

1.26.2008

Franz Ferdiwho?

Orange Juice - Rip It Up


Edwin Collins - A Girl Like You


Edwin Collins - You'll Never Know


...thank you Scotland.

1.23.2008

My Pirate Disco

When Lisa Hannigan and Damien Rice parted artistic ways this past spring, I was bummed. She gives light to what could otherwise be a dark show. I enjoyed their energies on stage and in the studio, and I think that Rice my be at a loss without her.
Damien Rice feat. Lisa Hannigan - 9 Crimes



Thankfully, we have a peek at what she has been currently working on. This video has been touted as her solo demo, and I've got say that I like where this is going.

Lisa Hannigan - My Pirate Disco (solo demo)

1.21.2008

Pantalaine Presents Co-dependent Couture

Pantalaine Family Store in South Bend Indiana is my new Disneyland. They pulled me in with the Couch Dress, and the resulting ten or so minutes felt like a few worth sharing.



The Palantine Family will customize a dress out of as many afghans as it takes to cover whatever size seating unit you toss their way.

Not only that, but they let you pick two flower broaches that are probably smaller than the dress. I bet you didn't even know that you needed one flower broach, but you probably do, and this is your chance to get two.

I know that you're looking at the price tag thinking that it may just be the best deal you've seen on yarn in a while. You are savy, and I am intuitive. The overall value will melt your skull if you consider the broaches and inevitably hilarious fitting session!

I'm crossing my fingers for the possibility of the matching hooded shawl that will dance across my mind's eye as I drift to sleep yearning for a scratchy cumbersome accessory.


Truth be told, this Wind Up Dress Up scares me a little more than the Couch Dress did. The picture reads like an awkward before and after, and evokes feelings not dissimilar to those delivered by the Grady twins. Infer with me, if you will.

Two pathetically sad sisters work in a sweatshop knitting couch dresses in the tool shed next to their ranch home and inflatable pool. The eldest sister, Candace probably, keeps a stiff upper lip so that little Misty is lulled into a sense of false security.

One day, daddy comes home with his newest design! He's dubbed it his "Double Princess Fantasy Dress" and waves it infront of the girls, still grubby from a hard day's work. Some day they will look back upon the iridescent fairy dress. They will remember spinning around until they got dizzy, and holding onto each other in futile attempts not to fall.

They will remember the day that dress-up turned on them. Maybe next year they'll get out of the fast paced fashion industry and start a lemonade stand; bring it back to their entrepreneurial roots.

At this point I'm hooked and need to know what other amazing consumer goods I have been missing out on. Quite frankly, I'm mentally invested in this rag tag mom and pop joint.

If you're still reading, than you are too. There's only one thing to do; let's keep browsing.


I have no idea what is so super about these Super Sweats, or why there are random sleeves attached to one pant leg. Maybe this was a bad idea.

I'm pretty sure the girl with the butt sleeve didn't want to put her hand all the way in there. She's smart. She probably knew this was going to make its way onto the internet, given the lavish nature of the photo shoot.

Everyone looks happy and comfortable (is there some sort of text color that should be used to indicate sarcasm?). The jig is up. It's clear that they were hoping the sea foam green cans were going to sell the crap out of some very odd touchy pants.


What the duck sauce is going on in each and every picture? I clicked further and it hit me. This site is dedicated to selling clothes that are attached to other things. Usually other items of identical clothing, but sometimes couches. There are pajamas designed to facilitate a serious ass kicking via some sort of pillow tail aberration, and polo shirts to cement the already strong lefty solidarity.


Some designs are so quintessentially emo that I want to dig out my horn rimmed glasses, but then I remember how old their prescription is and doubt that its a match for my macbook. It sounds like a one way ticket to migraine city, and I'd rather squint at pictures of shoes that force you to walk like the Monkees or protect your toes during a spicy salsa (wait for it...).


There are pants that allow you to strap a child to the side of your leg, something I had never considered. Think of how much you'd save on a stroller! I'm sure the constant rocking of pops walking lulls the little tike directly into la la land while you are free to pass go and collect that $200.

If you have a few minutes, browse through their site. I found myself a bit more than bemused.

They've been selling this original gem since 1959 (I'm holding out for vintage and banking on eBay).

1.18.2008

Dynamite Chicken



Directed by Ernest Pintoff (best known for his collaboration with Mel Brooks on the wonderful animated short The Critic), Dynamite Chicken is self-described in the opening credits as "A contemporary probe and commentary of the mores and maladies of our age.....with shtick, bits, pieces, girls, some hamburger, a little hair, a lady, some fellas, some religious stuff, and a lot of other things." The roster of names in the opening credits includes Paul Krasner, Peter Max, Alan Ginsberg, Al Goldstein, Lenny Bruce, Joan Baez, Malcolm X, The Velvet Underground, and John & Yoko.

To call Dynamite Chicken revolutionary is to do a disservice to the true revolutionaries of the era, many of whom coincidentally appear in the film (however posthumously; as was the case with Lenny Bruce and Malcolm X). During its conception, it required significant effort to cull such diverse voices and images to create an entertaining yet critical take on the status quo, and the resulting film stands as a worthy artifact of the era.

Today, all it takes is a laptop and a handful of YouTube clips to create a film like this.

Consisting of a series of thematic segments very loosely linked by footage of Richard Pryor riffing directly into the camera while wandering around a beat-up playground somewhere in New York, Pryor occasionally slips into bits that would become staples of his standup routine but his presence here is strictly to take us to the bridge.

The material is built for short attention spans (ala the tuned-in turned-on crowd), and the visual freak-outs begin right about the time the drugs would kick in. Psychedelic concert footage (of Sha Na Na, believe it or not) is intercut with old movie clips (e.g., Victor Mature in Samson and Delilah) and seemingly endless footage of naked curvaceous hippies dancing or doing calisthenics (If closeups of the mons pubis is your thing, this is the film for you.). This is supplemented with moments of agit-prop and pop-art; man-on-the-street interviews with toothless patriots talking about the flag, Andy Warhol recording Ondine reading from Warhol's novel a, some Frank Lauria poetry and jazz, and some creepy footage and interviews with workers at one of the first Burger King restaurants that would fit very nicely into Fast Food Nation.

It goes without saying that the sexual revolution is addressed, and Pintoff chose some interesting spokespeople. On the one side, Al Goldstein and Jim Buckley, who (in nausea inducing fish-eye closeups) espouse the theory behind Screw magazine, and on the other some unidentified feminist theorists discussing female sexuality and the use of derogatory language towards women.

Other highlights include shtick from the Ace Trucking Company, a comedy troupe that featured Fred Willard and Match Game regular Patti Deutsch, and a remarkable scene with Ron Carey dressed as priest outfitted in a Joliet Jake hat and shades doing a dance in front of St. Patrick's Cathedral to Lionel Goldbart's God Loves Rock and Roll while somewhere else a nun does a striptease.





I'm ripping the DVD and will have it available for a temporary download shortly...